Masterlist of Fic

HARRY POTTER


L'Effet | Pansy, Draco. Gen. PG.
Pansy loves Draco madly, ferociously, platonically. 

This Odd Sea | Percy/Oliver. PG.
After Fred's funeral, Percy decides to come out. 

Secretary/Assistant | Ron/Pansy. PG.
Ron has had a crap week. 

Quixotic | Harry/Luna. Harry/Ginny. PG.
Since his breakup with Ginny, Harry can't help but be boring. Luna is the only one who doesn't seem to mind.

To Make a Wager | Draco/Harry/Pansy. R.
If Draco had been the sort of person who enjoyed irony, he would've been highly amused by the whole situation. Draco did not enjoy irony.

green knights, earnest quests | Neville/Seamus. R.
In which Neville is aimless and Seamus is scarred and they go on a quest. 

do not give a fuck for luck | Ginny/Scorpius, Ginny/Harry. PG.
'the boys i mean are not refined.'

enjoy the silence | Ron/Harry. R.
Ron only sleeps when Harry's awake.

I wanted to loom | Seamus/Ron. R.
Seamus lays out all his tools first: the brushes, the sponges, the pots of pigment and cream.

'twas passing strange | Teddy-centric. Remus/Sirius, Remus/Tonks, Teddy/Sirius. R.
Teddy is given an old journal of his father's. Suddenly everything he knew about Remus turns out to be nothing at all - and it seems like Sirius Black is the key to figuring everything out. 







GOSSIP GIRL


Dan/Nate

11.27.08 | Part Two. Part Three. Season Two AU. R.
The somewhat meandering account of how Dan Humphrey fell in love with Nate Archibald.

the syntax of things | PG.
Nate's generally pretty bad at stopping himself from kissing people yet even he is fairly shocked at himself - and when he pulls back he sees Dan, too, is shocked as hell.

I guess it would be nice (if I could touch your body) | R.
There's teasing Dan and there's teasing Dan; Nate is getting rapidly closer to crossing the line.

A Study Of | R.
"Blair used to give me English lessons. Only, you know, English lessons."

there is a wait so long (you'll never wait so long) | PG13.
It became a familiar dance, waiting for Serena, and eventually their friendship cracked under the strain of it.

for a second there I thought you disappeared | Post-season one AU. PG.
New Yorkers always think they'll find the answers out west. Dan's no different.

it's all wrong, it's all right | DN + Milo. PG.
In which Nate decides to recover from his epic hangover at Dan's - which was not the best plan in hindsight because Dan has a crying baby and a crazy person living with him.

I swear I won't tease you (won't tell you no lies) | PG13.
The weirdest part, Dan decides, is opening his eyes and seeing Nate there - like, right there, inches, centimeters, his nose practically brushing Dan's.

keepsake | Rish.
Dan's father dies. Nate drives him home.

son of a crowded bed | Includes also: Blair/Chuck, Serena/Carter and past Blair/Dan, Chuck/Dan, and Nate/Serena. R.
Dan and Nate attempt to make a go of it, despite the soap opera of the past infringing at every turn.
Sequel to Charlie Foxtrot.

In between days | PG.
Sometimes Dan looks at Nate and Nate looks back and there's the sense that they both get it, suddenly and without saying it, and then they laugh it off.

the story and its writer | R.
It's with some trepidation, the scene starts, that I touch his knee.



Blair/Dan

a conspiracy of top hats | PG.
He's Archer, he thinks, not Dan, and Archer would notice these things. 

varjak paul, in person | PG.
This is how the story starts: there's a girl and a boy and they can't be together.

the mean reds | Part 2. Part 3. Part 4. Also contains Dan/Vanessa and Blair/Chuck. R.
The Humphrey thing is a phase - of this Blair is sure.

tell her she's wrong and she'll tell you you're right | R.
He finds her at the bar, a small sad figure with a half-empty martini glass in her hand. 

Paris - When It Sizzles | PG.
It feels like a movie, following her full fifties' skirts through Parisian streets, wearing a skinny suit and shades.

your kisses are wasted on me | PG.
Dan and Blair are not interested in each other. At all. Not even a little bit. But, just to be sure, they should probably make out.

you only call me when you're crying | PG13.
Dan Humphrey opens his door for her.

bad sex, literature, and russian hats | R.
I want you, she thinks, and it doesn't make any sense because everything so far has been about as not-perfect as it's possible to be and he's Dan and he isn't right for her, none of this is right.

your mercury mouth in missionary times | Also contains Dan/Nate and Blair/Louis. 1960s AU. R.
It's all sweaty July heat in the Hotel Chelsea and Dan is stoned.

someone who has had you on his mind | 4x16 missing scene. PG.
Blair wakes hazily, for a moment still caught in a dream and not sure where she is. 

nobody loses all the time | Season One missing scene. Gen. PG.
I didn't ask you to talk to me. // I didn't ask for you to be sitting out here on this step.

far from all the things that we are | Alternate end to 5x01. PG.
She doesn’t know why she’s in Brooklyn preparing to run off with Dan, or why she’s in Brooklyn at all. The more she thinks about it, the more uncertain she feels. It had been easy on the car ride over to decide to escape, but now that she’s here she can’t help wonder if she’s making a mistake.



Gen | Character-centric

a civilized discontent | Carter. Multi-pairing. R.
This was the path: St Jude's valedictorian, Harvard undergrad, Yale law, job at Dad's firm, marriage to a tight-lipped blonde, children, substance abuse, no sex, suits and ties, a briefcase full of files, affairs with his daughter's friends, a sexual harassment lawsuit at work, nice cars, city house, Hamptons house, small talk, death.

here's looking at you, kid | Dan, Georgina. PG13.
It doesn't mean anything to him. It's a splotchy sonogram picture. It's a word. A boy. A son. Dan's son.

just like little fish | Blair. Also: Dan, Louis, Chuck. PG13.
Blair pretends it doesn't exist for thirteen weeks. After that, it really doesn't. It is just this mass of biology taking up residence in Blair's body, leaching off her and making her nauseous.

hello world | Jenny. PG.
Inside she knows she's getting ready for something. 

from distant star to this here bar | Lily. PG.
She could look in the mirror, she the woman she became, and forget any of it ever happened.

On How to Be Lovely: A History of Waldorf and Hepburn | Blair. Also that asshole Chuck. PG.
Blair had never seen anyone like Audrey before.

A little boat adrift | Blair. Also Chuck. PG.
It's just something she had that now she doesn't - lost, like a pair of earrings. Blair's misplaced virginity.



Threesomes

love is loose (it shifts each time you move) | Dan/Nate/Serena. R.
One day she's going to make up her mind and it's not going to end in his favor.

nymph errant | Blair/Dan/Nate. R.
She's going crazy. She's standing there on her own two hands and going crazy.

let's go to bed | Blair/Dan/Nate. PG13.
Dan falls in love with Nate first. He just doesn't realize until a long time after.

be my heater, be my lover | Dan/Nate/Serena. Part 2. Part 3. Part 4. Part 5. Part 6. R.
They'll catch each other at some moment and something will spark - it just happens and they don't talk about it. A mix of angst and porn.

it's all over now | Dan/Nate/Serena. PG.
He doesn't tell her any of his secrets.



Miscellaneous Main Character Pairings

she ties my tongue | Dan/Serena. PG.
He's in awe of Serena van der Woodsen. It's a fact.

your loveliness goes on and on | Dan/Serena. PG13.
It got very convoluted very quickly but the moral of the story was the same: Dan loved Serena and Serena loved him back.

wild again, beguiled again | Blair/Nate. PG.
Blair supposes the one area she falters in is boys - even after he breaks her heart, Nate never really stops being her movie.

said adieu to love | Blair/Nate, PG13.
Nate kisses Blair on a Tuesday, tasting like the cappuccino he's holding.

huge cloudy symbols of a high romance | Blair/Tripp. R.
It's not a crush.

a nation rises; a nation falls | Tripp/Dan. R.
Tripp knows making out with a nineteen year old boy in an elevator isn't very good for his political career, but at the moment he couldn't care less.

confused dazed and exalted | Nate/Carter, Nate/Blair. Pre-series. PG13.
Nate gets a lot of lessons from Carter that summer.

hell in a handbasket | Dan/Damien. R.
Damien learns fairly quickly that if he's going to have any chance of winning the game, he has to make the rules.



All the Other Stuff

Menage a trois | Blair/Dan/Chuck. R.
Dan gets kicked out of his first threesome and finds his way into a better one.

Show Me Your Teeth | Blair/Dan/Chuck. Sequel to above. R.
Blair and Chuck divide and conquer. 

Charlie Foxtrot | Dan/Blair, Dan/Chuck, Blair/Chuck. R.
Ten years after high school, Dan tries to publish a novel inspired by Chuck. 

my heart, this machine | Chuck. Dan/Blair. PG.
Blair would be better suited with someone like Dan.

all the girls we could be | Nelly Yuki/Georgina. Also: Nelly/Dan, Georgina/Dan. PG.
Georgina Sparks and Nelly Yuki have one thing in common: Dan Humphrey.

they go with girls who buck and bite | Georgina and Carter. PG.
She's thirteen, fourteen, fifteen, and Carter Baizen is always halfway around the world.

them other boys don't know how to act | Dan/Chuck. R.
Dan doesn't pay any attention to how Chuck is looking at him because, frankly, Chuck looks at everyone like that. Chuck looks at pencils like that.

To Sir | Ben/Damien. PG13.
Ben is good person. That's what he always told himself.

Kids and Princes | Eleanor. Chuck/Blair, Blair/various. PG13.
Eleanor Waldorf-Rose is well aware that she is an exacting woman.

when I have fears that I may cease to be | Chuck/Blair. PG.
The problem with Chuck is that he is an asshole.







GLEE


sail thou forth | Kurt/Blaine. 1940s AU. PG.
Blaine grins at him and leans too close, hands full of sheet music Kurt just has to see, and Kurt's heart is in his throat.

erase and rewind | Quinn/Puck. PG13.
As far as Quinn is concerned, wanting Puck is an anomaly.

hang with me | Part 2. Part 3. Part 4. Season Two AU. Kurt/Blaine. PG.
In which Blaine teeters on the edge of awareness. 







FILMS


For life's not a paragraph | The History Boys | Scripps/Posner. PG13.
In the dying world I come from, quotation is a national vice. (Waugh)

good times for a change | Pretty in Pink | Duckie, Iona. PG.
After Andie goes off the The Appliance and it's all college plans and obnoxious coupledom, Duckie just hangs around Trax a lot.

new york city blues | RPF | Aaron Tveit/James Franco. PG13.
Aaron's just trying to keep it all straight (so to speak) - the musical starting, Gossip Girl, being out but not out, kissing James Franco and being Peter Orlovsky - and, right, full stop: kissing James Franco.







GAME OF THRONES


a paper tiger | Viserys and Daenerys. PG13.
He makes Daenerys learn all of the names of their ancestors and the order in which they came, their summers and winters. Viserys makes her recite their wives and sons. Viserys makes her recite the names of all the dragons and when she does, he gives her a sweet. 

sang his songs of darkness and disgrace | Rhaegar/Lyanna, Rhaegar/Elia. PG13.
She is always watching him from over cups or through crowds, distant and unreadable.







HEROES


zing zing zing went my heartstrings | Charlie. Some Charlie/Hiro, Charlie/OC. PG13.
Charlie lands in Milwaukee, Wisconsin on January twenty-sixth, nineteen forty-four, right outside a movie theatre playing Double Indemnity.

all the old familiar places | Peter/Elle. PG13.
Time's gotten loose around him; side effect from zipping through it, he guesses. He's not sure he could locate the present anymore if he wanted to.







GILMORE GIRLS


thinking of you | Rory/Jess, Rory/Logan. PG.
Every time Rory's afraid of missing Jess too much, she pictures him in the back of the bus with his motorcycle jacket on, the tight set of his mouth betraying nothing.

Ace of Spades | Rory/Logan. G.
The last thing Rory expects from Logan Huntzberger is a ring.







SKINS


shit and gold | Effy/Cook. R.
Everything that shines ain't always gonna be gold.

partie traumatic | Alo, Mini. G.
Mini never seems to remember his name but she never forgets to make him feel like shit.







CROSSOVERS

Determination, Argyle, and Guns | Glee/Gossip Girl/Heroes | Part 2. Rachel and Blair, Rachel/Peter. AU. PG.
In which Rachel Berry moves to New York City, meets Blair Waldorf, works for the Company, loses her ability to sing, falls in love, tries to save the world, and does it all in sequined legwarmers.

Set Phasers to Awesome | Star Trek XI/Neil Patrick Harris | Gen. G.
Barney Stinson finds himself aboard the Enterprise.

Dust and Pies | BtVS/Pushing Daisies | Ned. Scooby Gang. Gen. PG.
Loner is a role Ned knows very well. Loner is a role he's comfortable with.







MISCELLANEOUS


An Anthology of Firsts | Buffy the Vampire Slayer | Buffy/Fred. PG.
The first thing Fred notices about Buffy is her smile.

Estella, Unfeeling | Great Expectations | Estella. Some Estella/Bentley, Estella/Pip. PG13.
Estella does not feel thngs as coarse and common as love.

Five Facts | Multi-fandom | PG.
Sirius Black, Santana Lopez, Kurt Hummel, Tony Stonem, Mini McGuinness, James Cook, Harry Potter.

smoke spills out | Mad Men | Bobby Draper. PG.
Bobby's not as angry as Sally, never has been - but he's younger, he supposes, he didn't see it fall apart like she did.